| ‘To the Good of the Country’: Henry William Stiegel and American Flint Glass. Arlene Palmer. Pages 202-239 of "The American Craftsman and the European Tradition 1620-1720." The Minneapolis Institute of Art, 1989. |
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| Palmer identifies likely authentic products of Stiegel's American Flint Glass Manufactory as eighteenth century English forms reinterpreted using German technology, glass and workmen. | |